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The Anxiety of Influence is a somewhat insane book—insane like certain parts of the Bible, or the visionary writings of Blake, or Thus Spake Zarathustra. There’s no consolation to be had anywhere in its pages. What is present is an abundance of apocalyptic insight and poetic utterance. Though he’d begun his career as a reviver of the great Romantic poets in the 1950s and Sixties, by the time he wrote Anxiety Bloom had uncovered his deeper obsessions, and now he gave them a troubling, prophetic voice. Approaching the book almost requires a strong misreading itself. Bloom’s picture of poetry is exhausting. He’s always overhearing poets speaking to other poets, detecting subterranean allusions and echoes, uncovering endless rhetorical strategies of evasion and revision. Bloom had presumably read and remembered a substantial majority of the great literature of the West—the way forgotten Victorians like George Saintsbury used to—and you can hear the reverberations of it all, clanging and combining in his mind, spilling out onto the page.
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一名40多歲的德黑蘭女性說,她相信穆傑塔巴・哈梅內伊「比他父親還糟」。,推荐阅读豆包下载获取更多信息
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4月3日,伊朗驻阿根廷大使馆代办德黑兰尼遵照阿根廷当局要求启程回国。临行前他发表声明指出,这一驱逐举措"不仅无益于阿根廷利益,还将导致地区局势进一步恶化"。